Note the paintings on the wall of what appears to be a tavern also here.įoreigners remarked on the enormous quantities of art produced and the large fairs where many paintings were sold – it has been roughly estimated that over 1.3 million Dutch pictures were painted in the 20 years after 1640 alone. With this exception, the best artistic efforts were concentrated on painting and printmaking.ĭirck Hals, genre scene of Gentlemen Smoking and Playing Backgammon in an Interior. Painted delftware tiles were very cheap and common, if rarely of really high quality, but silver, especially in the auricular style, led Europe. There was very little Dutch sculpture during the period it is mostly found in tomb monuments and attached to public buildings, and small sculptures for houses are a noticeable gap, their place taken by silverware and ceramics. In turn, the number of surviving Golden Age paintings was reduced by them being overpainted with new works by artists throughout the 18th and 19th century – poor ones were usually cheaper than a new canvas, stretcher and frame. For the extra precision possible on a hard surface, many painters continued to use wooden panels, some time after the rest of Western Europe had abandoned them some used copper plates, usually recycling plates from printmaking. Painting directly onto walls hardly existed when a wall-space in a public building needed decorating, fitted framed canvas was normally used. Most paintings were relatively small – the only common type of really large paintings were group portraits. The Dutch concentrated heavily on the "lower" categories, but by no means rejected the concept of the hierarchy.
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